Leonard Tsuguharu Foujita, was a Japanese-French painter and printmaker known for his unique style that combined elements of traditional Japanese art with Western influences, particularly the techniques of French painting.
Foujita's early works in Paris were influenced by the School of Paris and the Art Deco movement. He gained recognition for his portraits, which often featured pale, white-skinned figures with large, almond-shaped eyes, reminiscent of traditional Japanese aesthetics. His paintings also showcased a delicate use of lines and a subdued color palette.
One of Foujita's most notable contributions to the art world was his mastery of the technique of using white pigments. He developed a unique method of painting with a mixture of oil and water-soluble pigments, which resulted in a luminous effect and a distinctive milky white tone. This signature style became known as "Foujita White."
In the early 1930s, Foujita's career took a new turn when he traveled to Japan and embraced Buddhism. This spiritual awakening led to a shift in his artistic style, as he began to incorporate more traditional Japanese elements and Buddhist themes into his work.
During World War II, Foujita returned to Japan and produced propaganda art for the Japanese government. After the war, he faced controversy due to his involvement with the wartime regime. However, he eventually returned to France in 1950 and regained recognition for his artistic contributions.
Image: Wikimedia Commons
